Sweet Sixteen
Sweet Sixteen tech specs
- Company: Roni Music
- Type: MIDI sequencer
- Platform: Atari 520ST[1][2]
- Clock resolution: 192 PPQN[1]
- Control: MIDI
- Synchronisation: MIDI clock with song position pointer[1]
- Tracks: 16 pattern-based + 16 linear[1]
Sweet Sixteen was a MIDI sequencer for the Atari 520ST. It's essentially a clone of Creator, streamlined to have only the features most people use most of the time. As a result, it's pretty elegant, and even fits into an Atari 520ST's 512 KB of RAM, half the whopping megabyte required by Creator (and, for that matter, Cubase). You only need to see how fast it loads to know how efficient it is. It's also now freeware, and unlike those two titans, doesn't require a dongle, making it a more accessible choice.
If you've ever used Creator, the vast majority of Sweet Sixteen's interface should be familiar to you, including its keyboard shortcuts. The differences make sense, and are pretty straightforward.
If you haven't used Creator, you might want to read my guide, and see how much also applies to Sweet Sixteen, which is almost all of it. It seems scarcely worth writing a separate guide, as for the purposes of most musicians, the differences between the two are minimal.
In the 1990s, a choice between Creator and Sweet Sixteen would have come down to budget — £300 vs. £50. Now, it comes down to whether you can find a Creator dongle — and if you want to also use Cubase, whether you're willing to constantly swap the dongles back and forth. And in any decade, whether you can find an Atari ST with more than 512 KB of RAM.
In short, this is a streamlined clone of Creator, and if you're happy to create within slightly narrower constraints (such as seemingly only being able to mute and unmute tracks at the end of the bar as pattern attributes, not mid-bar as pseudo MIDI events), this is a wonderful MIDI sequencer. It's more than good enough to make multiple albums' worth of music on, and like Creator, it lets you layer tracks up fast.
I recommend it, as it encourages a good workflow, without getting in the way. But that's assuming you like Creator's looped-pattern-based philosophy, which personally I do. In my limited experience so far, I think Sweet Sixteen is the most underrated MIDI sequencer I've used. Answering no-one in particular's request of "give me just the bits of Creator that I'll actually use, for a sixth the cost, and make it run on the cheaper ST!" really should have made it far more popular than it was.
References
- "Sweet Sixteen manual" Roni Music, 1993
- "Roni Music Sweet 16" Ian Waugh, Music Technology, Dec 1993, pp. 72—73
External links
Reviews
- "Roni Music Sweet 16" Ian Waugh, Music Technology, Dec 1993, pp. 72—73
- "Roni Music Sequencing Software (Atari ST, TT, Falcon)" Derek Johnson, Sound On Sound, Feb 1994
- "Sweet Sixteen" Andy Curtis, ST Format, Sep 1995, p. 34
Downloads
Software
Documentation
- "Sweet Sixteen manual" Roni Music, 1993
Atari ST: 4-Op Deluxe | Creator | Cubase | Dump-It! | M | Pro-24 | Realtime | ST MIDI sequencer timeline | ST Speech | Sweet Sixteen | Tiger Cub
Software MIDI sequencers: Creator | Cubase | M | Music Machine | Pro-16 | Pro-24 | Realtime | Sweet Sixteen | Tiger Cub