ST MIDI sequencer timeline
| Year | Systems & specs | C-LAB & Emagic | Steinberg | The Digital Muse | Dr. T | Hybrid Arts | Intelligent Music | Other |
|---|---|---|---|---|---|---|---|---|
| 1982 | First MIDI instruments released, C64 released | |||||||
| 1983 | MIDI spec published[1][2][3][4] | |||||||
| 1984 | ||||||||
| 1985 | Atari ST released, with GUI + bult-in MIDI[5][6] | |||||||
| 1986 | SuperTrack (C64)[7][8] | Pro-16 V2 (C64),[9][10][11] Pro-24 V1.0[12][13] | Keyboard Controlled Sequencer (C64)[14] | MIDI Recorder[15][16] | ||||
| 1987 | Creator V1[17][18] | Keyboard Controlled Sequencer V1.0,[19] V1.3[20] | MIDITrack ST[21] | Iconix,[22][23] Super Conductor[24][25] | ||||
| 1988 | Notator/Creator V2.0 (Notator introduced)[26][27][28] | Pro-24 V3[29][30] | MIDI Recording Studio V1.1[31] | SMPTETrack[32] | M,[33][34] MIDIDraw[35] | MIDIDrummer,[36] MIDIGrid,[35] MIDISoft Studio[37] | ||
| 1989 | Cubase V1[38][39][40][41][42] | Virtuoso[43][44][45] | Realtime[46][47][48] | The Final Cut,[49] Master Tracks Pro,[50] MIDIDrummer V2,[51][52] Trackman[53][54][55][56] | ||||
| 1990 | Cubase V1.5,[57] Cubase V2.0[58] | Prodigy[59] | Tiger,[60][61][62] Tiger Cub V1.0[63][64] | Sequencer One,[65][66] Trax[67] | ||||
| 1991 | Notator/Creator V3.0[68][69][70] | KCS Omega[71] | SMPTETrack Gold[72][73] | |||||
| 1992 | C-LAB Atari Falcon mod? | Notator/Creator V3.1[74][75] | Cubase V3[76][77] | Rave[78] | Tiger Cub V2.0 | |||
| 1993 | Notator Logic V1.5[79] | Sweet Sixteen V2[80] |
References
- "Introducing the MIDI" Electronics & Music Maker, May 1983, pp. 92–94
- "Climb Aboard The MIDI Bus" Jim Betteridge, Electronic Soundmaker & Computer Music, Nov 1983, pp. 51–52
- "MIDI" Jim Betteridge, Electronic Soundmaker & Computer Music, Dec 1983, pp. 52–53
- "The MIDI 1.0 Specification" Electronics & Music Maker, May 1984, pp. 40–44
- "Atari 520ST" Simon Trask, Electronics & Music Maker, Jul 1985, pp. 84–86
- "Atari 520ST MIDI Computer" Jeremy Vine, International Musician & Recording World, Nov 1985, pp. 98–99
- "C-LAB Supertrack" Mark Jenkins, Sound On Sound, May 1986, pp. 61–63
- "Multitracking On A Budget" Simon Trask, Electronics & Music Maker, Jun 1986, pp. 66–68
- "Professional Conduct" Simon Trask, Electronics & Music Maker, Feb 1986, pp. 78–81
- "The Professional's Choice" Tony Hastings, Sound On Sound, Apr 1986, pp. 63–65
- "The Soft Parade" Nick Graham, In Tune, Jun 1986, pp. 36–39
- "Thinking Of Going 24-Track?" Tony Hastings, Sound On Sound, Jul 1986, pp. 42–44
- "Software Tracking" Simon Trask, Electronics & Music Maker, Sep 1986, p. 32
- "Doctor! Doctor!" Ian Waugh, Sound On Sound, Mar 1986, pp. 56–58
- "MoPro Atari 520ST MIDI Software" Chris Jenkins, Electronics & Music Maker, Apr 1986, p. 32
- "The Musical Micro" Mark Jenkins writing as Tony Mills, International Musician & Recording World, Jun 1986, pp. 64–65
- "C-LAB Creator" Martin Russ, Sound On Sound, Nov 1987, pp. 57–61
- "C-LAB Creator" Simon Trask, Music Technology, Dec 1987, pp. 72–74
- "Dr. T Keyboard Controlled Sequencer" Rick Davies, Music Technology, Mar 1987, pp. 90–92
- "Dr. T's Keyboard Controlled Sequencer" Mark Badger, Sound On Sound, Jul 1987, pp. 54–58
- "Hybrid Arts MIDITrack ST" Chris Many, Music Technology, Jun 1987, pp. 36–38
- "Iconix MIDI Sequencer" Martin Russ, Sound On Sound, Jun 1987, pp. 48–52
- "Iconix Software" Simon Trask, Music Technology, Aug 1987, pp. 87–90
- "Super Conductor" Ian Waugh, Sound On Sound, Aug 1987, pp. 38–40
- "Microdeal Super Conductor" Simon Trask, Music Technology, Jan 1988, pp. 36–38
- "C-LAB Notator" Ian Waugh, Sound On Sound, Sep 1988, pp. 22–26
- "C-LAB Creator And Notator" Simon Trask, Music Technology, Feb 1989, pp. 52–56
- "C-LAB Creator" Chris Jenkins writing as John Renwick, Micro Music, Jun 1989, pp. 46–49
- "Steinberg Pro24 III" Simon Trask, Music Technology, Jul 1988, pp. 72–74
- "Steinberg Pro24 Version III" David Hughes, Sound On Sound, Aug 1988, pp. 74–75
- "Dr. T's Midi Recording Studio" Simon Trask, Music Technology, May 1988, pp. 54–55
- "Hybrid Arts SmpteTrack" David Mellor, Sound On Sound, Apr 1988, pp. 24–30
- "Intelligent Music M" Ian Waugh, Music Technology, Mar 1988, pp. 86–90
- "Intelligent Music" Ed Jones, Sound On Sound, Aug 1988, pp. 22–26
- "Alternative Instruments" Martin Russ, Sound On Sound, May 1989, pp. 56–60
- "Bit by Bit MIDIDrummer" Chris Jenkins, Music Technology, Feb 1988, pp. 36–38
- "MIDIsoft Studio" Simon Trask, Music Technology, Nov 1988, pp. 68–72
- "Steinberg Cubase" Nigel Lord, Music Technology, Aug 1989, pp. 60–66
- "Steinberg Cubase" Nigel Lord, Music Technology, Sep 1989, pp. 70–76
- "Steinberg Cubase" David Hughes, Sound On Sound, Aug 1989, pp. 14–21
- "Clash of the Titans" Jim Spriggs, Micro Music, Oct 1989, pp. 18–22
- "Cubase In-depth" Paul Glaister, Micro Music, Jan 1990, pp. 42–46
- "Virtuoso" David Hughes, Sound On Sound, Sep 1989, pp. 38–42
- "TDM Virtuoso" Nigel Lord, Music Technology, Oct 1989, pp. 26–33
- "Virtuoso In-Depth" Jim Spriggs, Micro Music, Dec 1989, pp. 20–22
- "Intelligent Music Realtime 1.1" Chris Meyer, Music Technology, Apr 1989, pp. 88–90
- "Feels so Real" Phil Brammer, Micro Music, Jun 1989, pp. 26–28
- "RealTime Intelligent Sequencer" Martin Russ, Sound On Sound, Aug 1989, pp. 48–51
- "The Final Cut" Paul Ireson, Sound On Sound, Jul 1989, p. 16
- "Master or Servant" Phil Brammer, Micro Music, Apr 1989, pp. 50–53
- "Bit By Bit MIDIDrummer" Ian Waugh, Music Technology, Jun 1989, pp. 64–66
- "MIDIDrummer" Martin Russ, Sound On Sound, Jun 1989, pp. 58–60
- "Hollis Research Trackman" Ian Waugh, Music Technology, Mar 1989, pp. 42–46
- "The Trackman Cometh" Dave Reed, Micro Music, Aug 1989, pp. 64–66
- "Trackman Sequencer" Paul Ireson, Sound On Sound, Nov 1988, p. 24
- "Trackman Sequencer" Paul Ireson, Sound On Sound, Dec 1988, pp. 19–24
- "Steinberg Cubase v1.5" Nigel Lord, Music Technology, Apr 1990, pp. 46–48
- "Cubase 2.0" David Hughes, Sound On Sound, Dec 1990, pp. 60–64
- "The Digital Muse Prodigy" Ian Waugh, Music Technology, Apr 1990, pp. 34–36
- "Tiger Feet" Chris Jenkins writing as John Renwick, Micro Music, Mar 1990, pp. 20–22
- "Dr.T's Tiger" Chas Stoddard, Sound On Sound, Mar 1990, pp. 48–54
- "Dr. T's Tiger" Glen Darcy, Music Technology, Jun 1990, pp. 60–64
- "Dr. T's Tiger Cub" David Hughes, Sound On Sound, Jun 1990, pp. 22–24
- "Dr. T's Tiger Cub" Ian Waugh, Music Technology, Nov 1990, pp. 70–73
- "Sequencer One" Micro Music, Mar 1990, pp. 33–35
- "Gajits Sequencer One" Ian Waugh, Music Technology, Mar 1990, pp. 16–18
- "Passport Trax" Ian Waugh, Music Technology, Dec 1990, p. 12
- "C-LAB Creator/Notator V3" Ian Waugh, Music Technology, Mar 1991, pp. 42–46
- "C-LAB Notator V3.0" Dave Lockwood, Sound On Sound, Apr 1991, pp. 36–40
- "C-LAB Notator 3.0" Dave Lockwood, Sound On Sound, May 1991, pp. 64–69
- "Dr. T'S KCS Omega" Ian Waugh, Music Technology, Dec 1991, pp. 42–46
- "Hybrid Arts SMPTETrack Gold" Vic Lennard, Music Technology, Sep 1991, pp. 50–53
- "Hybrid Arts EditTrack Gold ST Sequencer" David Mellor, Sound On Sound, Sep 1991, pp. 72–76
- "C-LAB Creator/Notator 3.1" Ian Waugh, Music Technology, Jan 1992, pp. 60–63
- "Back On Top?" Dave Lockwood, Sound On Sound, Mar 1992, pp. 22–26
- "Steinberg Cubase 3.0" David Mellor, Sound On Sound, Apr 1992, pp. 78–82
- "Steinberg Cubase 3.0" David Mellor, Sound On Sound, May 1992, pp. 98–102
- "TDM Rave" Ian Waugh, Music Technology, Jul 1992, p. 69
- "Emagic Notator Logic" Ian Waugh, Music Technology, Aug 1993, pp. 68–69
- "Roni Music Sweet 16" Ian Waugh, Music Technology, Dec 1993, pp. 72–73
Atari ST: 4-Op Deluxe | Creator | Cubase | Dump-It! | M | Pro-24 | Realtime | ST MIDI sequencer timeline | ST Speech | Sweet Sixteen | Tiger Cub | TOS
Electronic music making tables: Akai timestretching | BPM to milliseconds | DX21 guide | Interval | MicroVerb III guide | Pitched tempos | Pitches | S1000 page map | ST MIDI sequencer timeline | Transposing tempos
MIDI: DAW | Editor/librarian | General MIDI Percussion Map | MIDI clock | MIDI sequencer | MIDI timing | Song position pointer | ST MIDI sequencer timeline | SysEx file