William Orbit
Set the Controls for the Heart of the Bass
William Orbit made some fairly obscure albums between 1987 and 1995, occasionally under aliases such as Strange Cargo and Bassomatic.
He then went on to produce some rather less obscure albums, namely Blur's 13 and Madonna's Ray of Light and Music, as well as his own Pieces in a Modern Style.
Personally, I rather like his 1990 album Set the Controls for the Heart of the Bass. It's perhaps less successful than it deserved to be.
Equipment list
- Akai S1000[1][2] (×2)
- Atari Mega 2[1][2]
- Roland Juno-106[1][2]
- Roland SBX-80[1][2]
- Roland SVC-350[1]
- Roland TR-808[1]
- Steinberg Cubase[1][2]
- Yamaha DX7[1][2]
Selected discography
- Set the Controls for the Heart of the Bass, 1990
References
- "The Heart Of The Bass" Tim Goodyer, Music Technology, Nov 1990, pp. 52—56
- "William Orbit" Paul Tingen, Sound On Sound, Oct 1991, pp. 58—64
External links
Interviews
- "Torch Baring" Paul Colbert, Making Music, Jan 1987, p. 11
- "The Heart Of The Bass" Tim Goodyer, Music Technology, Nov 1990, pp. 52—56
- "William Orbit" Paul Tingen, Sound On Sound, Oct 1991, pp. 58—64
Artists: Aphex Twin | Autechre | Derrick May | Fatboy Slim | Juan Atkins | Kevin Saunderson | Kraftwerk | LFO (artist) | Man Machine | Moby | Nine Inch Nails | Orbital | Richie Hawtin | The Future Sound of London | The Prodigy | Underworld | Vladimir Ussachevsky | Wendy Carlos | William Orbit | Zoë Blade
